Marie Ringwald
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    • Recent Sculptures
    • Exurbia Series
    • recent flat works
    • recent small sculptures
    • 75 "small HUT" series
    • ​works on paper (older)
    • ADDING + SUBTRACTING - , 2015
    • Building / Material exhibition 2018
    • large wall reliefs based on actual buildings
    • 2014 - "Constructions + Deconstructions," Case(werks) Gallery, Baltimore, MD and works from 2012
    • NEW at Gallery Neptune, 2008 and works from 2006 - 2011
    • Warehouse, Barn + Quonset Hut series
    • sculptures in red and/or copper
    • Selected works from the 1970's
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Works 0n Paper (older)

​Grey Shed paintings (31 in series)

Grey Shed paintings (2011) each 10" x 11", acrylic paint, gesso + graphite on hot press Arches paper (total of thirty-one  in the series)
Unframed:
nos. 1  -  2 -  4

nos. 5  -  6  -  7
nos. 8  -  10  -  11
nos. 13  -  16  -  17
nos. 18  -  20  -  24
​nos. 25  -  26  -  27


Framed: nos. 3  -  9  -  12
​nos. 14  -  15  -  19
nos. 22  -  23  28
nos. 29  -  30  -  31

each 10" x 11"
acrylic paint, gesso + graphite on hot press Arches paper
2011

Grey Sheds at Long View Gallery, DC, "ReFresh" summer show, 2011
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​Sky, Shed + Ground
 #1-16 (2010 + 2011) 
​mixed media water based paint on Arches hot press paper

image is 8” x 8”; paper is 15” x 11” (total of 19 in series) 

on right:
​Framed Sky, Shed + Ground #17


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Sky, Shed and Ground paintings

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Sky, Shed + Ground paintings: Nos. #1 - 17            
mixed media water based paint on Arches hot press paper
image is 8” x 8”; paper is 15” x 11” 
2010
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6 Sheds Paintings, 2008
all are half sheet 140# Arches hot press: acrylic + pencil; some are collaged
15” high x 22” wide; numbers. 1 to 5
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Shed paintings, 2008
each is ¼ sheet 140# Arches hot press paper; pencil + water base paint on paper; 
15” high x 11” wide
from the top:
Pink Shed/Green Roof #1 
Pink + Grey Shed

​Pink + Blue Shed with an Orange Roof
Pink Shed/Green roof
Pink Shed with a Copper
 

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2-Sheds paintings
each is half sheet 140# Arches hot press; pencil and watercolor paint on paper;  15” high x 22” wide
from the top:
Lavender Sheds with Black, 2008
​Pink Sheds with Green Roofs #2, 2008 - 2011
Pat’s: Black + Red Shed/Green + Purple Shed, 2008
Pink Shed/Blue Shed, 2008
Two Blue Sheds,  2008 - 2011
Two Pink Sheds, 2008 – 2011
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Sky, Shed +Ground  paintings, 2010
8.5” x 40.5”; 
water base paints on Arches cold Press paper; (Kremer pigments, acrylic + metal dust)
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…#1 (copper silicate)
 …#2 (copper silicate + silver dust)
 …#3 (Prussian + cobalt)
 …#4 (Prussian)
 …#5 (cobalt cerulean)
 …#6 copper silicate again)… 
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the Pool at LaNapoule gardens and the Mediterranean Sea
watercolor paint on rag paper; framed 20.75" x 23"" x 1.5"; 1988

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top:  Three Silver Sheds
silkscreen print on Arches 88; 30” x 22”; 17 in the edition

bottom: Three Sheds: Pink & Yellow

silkscreen print on Arches 88 paper; 30” high x 22.5” wide

Both printed by Denny O'Neil's at his Handprint Workshop, 2005 
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​Grey Shed paintings:                             $350 unframed
                                                                   $500 framed
available - Nos: #1, 3, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15, 16, 18, 19, 20, 21, 22, 24, 25, 26, 27, 29
sold – Nos. #2, 4, 9, 17, 23, 28, 30, 31

Sky, Shed + Ground series:
Nos. # 4, 6, 10 + 16 available                $450.
the rest are sold - 12 are in the Kaiser Permanence collection

Six Sheds paintings:  
Nos. # 2, 3 4, 5 + 6                                   $600.
​No. #1 sold + is at the Huntington Museum of Art, WV 
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Shed paintings:
Nos. # 1, 2 + 3                                            $500 framed  -  $350. unframed
​Nos. #4 + 5 sold 

Two Sheds paintings:                               $600. framed

Sky, Shed + Ground paintings                all sold

​the Pool at LaNapoule gardens 
and the Mediterranean Sea                           $1,400. framed

Three Sheds Prints                                          $150. unframed

I Can See Clearly Now                                    All sold or in the portfolios that went to the faculty +  student printers.  
​                                                                            Some of the complete portfolios went to a number of collections.